Spinning

This morning, the little slab of concrete outside my front door was the most beautiful it has ever been. Something about the angle at which the sun hits the city of San Diego in mid January is even more attractive than usual. I pulled my little table outside, I brewed coffee and I sat, ate breakfast and let my face swell in the sunlight. Guiltless. resting. Sunday.

I have been spinning like a top for the month of January. 

I started working as a barista in a very European cafe where the lights are always romantically-dim and the chairs are way too crowded and there are about 100 jars of loose tea artfully arranged around the perimeter where customers can put their noses right into the teas: rosehip-cardamom, gunpowder green, blackberry Assam, and then fish out a tea-bag. My boss, the owner is almost completely deaf, and English is not his first language. One afternoon, a few weeks ago, when I was a customer, I approached the owner and asked:
 “Do you ever hold concerts here?” Referring to the mahogany baby-grand piano that sits in the corner. He turned his head, cupped his hand to his ear and responded, “Are you looking for a job?”
“Oh, no, I am asking about the piano. Do you ever hold concerts here? Or, like, allow musicians to use the piano?”
“Are you a musician?”
“Well, I am a singer.” 
“Ah, yes. There is no money in this.”
“What?”
“Do you need a job?”
“No, I am asking about the piano.”
“Have you ever worked in cafe?”
“–well, yes.”
“Come back tomorrow with your resume. You can work here.”

So I did. And now I do. Work in this cafe. 

The owner is like a character from a Wes Anderson movie. He wears a flannel jacket and a fedora all day,. He spends long hours sitting at the bar with friends and giving away baklava and coffee drinks to pretty girls, or older men who look like they are in the mob. And he sleeps behind a folding screen, beneath a set of stairs in the back of the cafe. It’s totally hidden, no one would know it, and because he can’t really hear anything he is able to disappear and nap even in the busiest hours of service.

He refers to his cafe as “we” and “us” and can turn any conversation into a conversation about how much everyone loves “us”.

“Everyone knows this cafe, because we hire only the prettiest girls. For 30 years we have had only the prettiest girls work here.”
I am simultaneously repulsed and compelled by this thought. I am a human, I am an American human, I have a fragile sense of self-image, and any implication that I am a “pretty girl” is flattering. But yes every misogynist comment makes we question: “is this worth it? Is paying my rent worth this?” Indeed, my co workers are all beautiful. I am the only one who doesn’t have a name that ends with an open “-a” sound, I am the only worker who doesn’t have a rich, mesmerizing european accent.

Cover band seeks female lead singer.

This was one of the Craigslist ads that I responded to. I sent a video of myself singing “Fuck you” by Ceelo Greene at the Broadway Comedy Club to the email providedin the posting. And said something about being a classically trained singer. And sure enough, I heard back: “We want you to sing a live audition at our show this Friday.” She sent me a medley of 3 songs to learn” I’m Just a Girl, Livin La Vida Loca and Last Dance. 

So at 9:00, that Friday night, I drove out to a bar in East county. I got up on stage and I sang. And I totally…sucked. I had a earpiece in my ear, a drum set wailing behind me, while I was singing Dona Summer with precise, operatic, vibrato. It was like trying to fit a fish into a prom dress. The manager met me outside after my set. She looked at me with a sort of quizzical dissapointment. 
“Um…you can’t use that much vibrato on the mics.”
“Yeah. I think I get that now.”
“So… I need to talk to the rest of the band. But if we do hire you. You and I need to meet, A LOT before your first gig.”
“That makes sense.”

So I drove back home. Listening to a meditation CD the whole way. And telling myself: Good riddance. This isn’t the kind of singing that you do anyways! You are a much more refined singer than that! 
Completely expecting to never hear another word about the whole thing, the next morning I got a call, and an offer to join the band, contingent on many rehearsals before my first gig on February 1st to get the style and learn the choreography. 

“I have to think about it.” I told her. “Can you give me a few hours.” 

I thought, and I called my mom, and my then my best friend and we all determined: Hey, this is music, this is singing, this is making people happy, this is making money!

“Alright. I am totally in!” I texted her. “Please send me the practice tracks and I’ll start learning the music!”

So the time not spent being a barista for the last week and a half, have been spent standing at my kitchen counter, dancing and learning the words to “UpTown Funk” and “Billie Jean.” And about 30 other pop songs that I thought I knew, but turned out I never knew a single word to. And may I tell you, it is surprisingly fun. GIve yourself a treat sometime: when you are all alone, look up some karaoke tracks on YouTube and just jam out!

Yesterday evening I biked to work. Right up through Balboa park, as the sun was setting. I had a bit of extra time so I sat on a park bench. and just thought “thank you” over and over and over again. For the setting sun; for the use of both of my legs; for the ability to pay my rent; for the privilege of being paid to sing; for the feeling of windless, perfect warmth. 

When I walked into the cafe, every table was filled. Saturday night. The front door open and letting a honeyed wind into the cafe. The owner sat at the bar eating spaghetti and drinking wine with a friend. 

When I am at work, I work. I am not sure whether to attribute this to my Midwestern, Germanic upbringing, or my time spent hustling in New York. I spent the whole six hour shift cleaning, bussing tables, making drinks, taking orders, restocking bottles of beer in the display, washing dishes, mopping the floor. Spinning like a top. 11:00pm, the owner told me I could go home, and then pointed to one of the decorative jars of tea, rose petal black tea.
 “Why didn’t you dust this jar?” 
“I did, I dusted all of the jars.”
“This one still has dust on it.”
“Do you want me to dust it again?”
“I want to know why you don’t do your job when you are here?”
“Are you serious? I feel like I have been working very hard all night.”
“You don’t understand how this cafe works. You want to make coffee drinks and take orders, but what you should be doing is keeping this place clean.”
“Do you think I haven’t been working hard all night?”
“What have you been doing?

I was suddenly blank for responses, I shouldn’t have to explain all of the work I had been doing all night. Certainly he had seen me doing all of it as he sat at the bar all night.

He continued: “I am not saying you are lazy, I am saying you don’t know how we work.”

I started to feel my throat close and my eyes begin to water. I hate how easily I cry. 

“This is a good job! Here the money is stable, and you can pay all of your bills. You are trying to be an actress or singer or whatever. You will never make money like this. I know! You think you are the first girl to come in here, who is trying to be an actress. I know how these things work! In this city you will never make a living like this.”

Again. I didn’t respond. But in my head I was screaming, defiantly: YOU ARE WRONG! YOU ARE SO WRONG!!

“Do you like this job?” He asked
“I do.” 

Believe it or not, this was an honest answer. I do like the job. I like my coworkers, I like the pace of the shifts, I like being around people, hearing jazz music play, smelling espresso. And, even in this moment, I liked my boss. HIs oversized fedora, his tattered flannel. HIs thick accent, his world-view grown in a soil so different from my own. Looking up at me with his eyes as tired as mine.

I grabbed my backpack. And the stack of cash he had set down on the table as payment for my shift. 

“I’ll see you tomorrow” I said.
“It’s a good job. I treat you all very well!”
“I’ll see you tomorrow.”

…And then I got really into robbing banks.

“People tell me I am a good writer,” he said “I used to write a lot on the outside but then I got really into robbing banks.” 
“Well sure” I said, “There is a lot more money in that.”


I was in Donovan state penitentiary (the current home of Sirhan Sirhan and  the Menendez brothers) with an organization called Playwrights Projects, which has a program that facilitates play-writing for the inmates. I was talking to an incarcerated man who wrote a short play.  It was about a man who pitches a world changing invention to Mark Cuban on Shark Tank. And through this he finally wins the love of a woman who happens to be a New York Times best seller author. Over and over in the play the protagonist says to his love interest “Man, it is such a turn on that you are a New York Times best selling author.” To which she would giggle demurely and say “thank you”. And isn’t that the whole reason why anyone would write a best seller? or do anything really, really well? Because it’s a mad, crazy turn-on for someone else?

I saw the musical “Waitress” a few nights ago. I am such a sucker for musicals. Oh man, every key-change at an emotionally pivotal point,  breaks me down. I get lost in a big dance number. And I fall for every slow sad reprise. Time slips by when I am watching a good musical in a way that it rarely does when I watch a play… I know I am sorry, Plays. I feel bad about this, because it shows that I really am just a simpleton. I have a masters in music–and even though I think that’s ultimately because I kept showing up to class and I sing pretty– I know enough about music to understand how flimsy the musical structure is in most musicals. I see the tricks that are being played on me, I feel myself being set up by chord progressions, like I am being walked up a set of stairs, just to be pushed off the edge. I know what you are doing to me, Musicals, but I love you anyways!! 


The lead in this production, Christine Dwyler, was an absolute pro, she is one of those performers who is able to weep and sing at the same time. Think about that. Not just weep on command, but weep on command while also, you know, singing. I personally only have have one apparatus that does both the singing and the crying, and I haven’t been able to figure out how to make it multi-task. So naturally, I was like: “Christine Dwyler, the way you cry while you are singing is such a turn on…Also, while I am at it, Sarah Bareiles, the way you write that Grammy and Tony nominated music is such a turn on!”


Back when I was living in New York, still relatively new, I was working in a cafe, and I had just found out that my most recent ex-boyfriend had started dating someone else, it was the same week that my co worker got dumped by his boyfriend. So we decided, “Let’s take our tip money and salve our tender hearts with standby tickets for a musical.” We ended up getting $38 standby for the first preview of the “Color Purple”, with Cynthia Erivo. We were sitting in the orchestra section. Because it was the first preview we didn’t know what we were going to see. If it was going to be good or bad. There was no press out to tell us what to expect. There were no labels on it yet. Let me tell you, as one of two broken-hearted musical-nerds, It was amazing. It was really amazing. In fact my co worker and I look back at this night with reverence for the magic that we wandered into. 
Cynthia Erivo is a goddess in a way that I cannot begin to describe. The audience gave her a standing ovation in the middle of the first half. I didn’t even realize I was doing it, She was singing a song and suddenly I was just standing, and ovating, and crying. And it wasn’t even intermission yet!* For anyone who hasn’t heard Cynthia Erivo sing (and I do recommend you treat yourself to a little YouTube concert, like, now) she has a fine voice, it is clear and well produced, not exceptionally beautiful, but lovely. But the power of her performance lies in her absolute sincerity. That night, she didn’t do anything for the sake of the audience, or for the sake of herself, she simply was Ceely, strong, beautiful Ceely. And every note was honest. 
Cynthia Erivo, the way you sing and you give up yourself for the character, is such a turn on! No seriously, if a recording of you singing ‘I’m Here‘ comes on while my mom and I are in the car, we both have to stop talking and just listen to you and cry. Such a turn on. 
I had a friend once describe a performer as “pulling perfection from the air.” I loved that. As if perfection doesn’t belong to any one of us, it is not something we can hope to hold on to. It is only there in the moments when we have done the work and we are willing to give ourselves up. 
*side note: I HATE undeserved standing ovations, I have, many times, been the curmudgeon who sits clapping at the end of shows while the rest of the audience dutifully sets down their Playbills and stands. Having experienced being profoundly compelled out of my seat by the power of a performance, I don’t think it does anyone any good to waste the sentiment.*  



I am sorry, I got carried away, I forgot that I was telling you about the Playwrights at Donovan State Penitentiary.  This was part of an organization called “Playwrights Projects”, where writer/facilitators work weekly with incarcerated men to write short plays. Then have cold readings of performances with local actors.  
On the wall of the prison was a big beautiful painting, a painting of the desert and a mountain, and a road that started right at the bottom perimeter and ambled into the distance. Outside the walls of the prison was a desert, and mountains that marked the very bottom edge of the United States and the very top edge of Mexico.
It was actually surprisingly easy getting into the prison. This may have been a fluke but we didn’t even go through a metal detector. And we brought in a tray of Christmas cookies. And then we just hung out in the visitor center with 15 inmates, with no guards, just a few of the prison employees. I can’t help it, my brain does this thing where I just kept on thinking of all the ways that I could have smuggled in a file. 
When the guys saw the tray of cookies out on the table every one of them seemed incredulous. “We can just take these?” “Yeah, go ahead””Like, now?””Sure.””Like as many as we want?””Well, like, leave some for everyone else. but yeah.”
The head of the program described having a conversation with one of the inmates, She said, “Sometimes the best way to get what you want is by being nice.” To which he responded “Yeah, that doesn’t work in prison.”


But these men seemed nice, they seemed kind and self aware, and in a lot of cases I couldn’t help but imagine that their plays were in some way autobiographical. One play was written from the perspective of two prison guard dogs, doing their job, observing the inmates and questioning whether they were free or prisoners themselves.

Afterwards I stood chatting with the actors, the playwright who had written about Shark Tank, and that super-fine, New York Times best selling author walked by. 
“Congratulations.” I said, “Did you enjoy the program?”

“Yeah,” he said, looking upwards at the ceiling, “but I think my play would have been better if they had let me direct it.”

“Hm. Well, the actors were just reading them for the first time, I thought they did pretty well.”

“Oh really? I didn’t know that. Well, then it was okay. People tell me I am a good writer I used to write a lot on the outside but then I got really into robbing banks.”

 “Well, sure, there’s a lot more money in that